Debussy Prelude Book II No.7 in F-sharp Major

總算是像首曲子了，請大家欣賞並給點建議！中間大聲的部分有點敲太大力，音群部分還要再練平均。(借用大教室錄音, 後面有人進進出出)

Furtwangler: Beethoven Symphony No.8 Mov.1

非常喜歡中段發展，不斷的反覆堆積一直到大提琴策動一波主要旋律那段（3:00~4:00），太熱血了！Bravo！

理海愛樂四月演出

認真參與之後慢慢發現自己喜歡這個樂團，指揮的魅力和團員的親切活力都是原因。這次四月二十三＆二十四的兩場演出曲目包含 Beethoven 8th Symphony, Brahms 4th Symphony 需要很多的練習，經歷了特別的 audition 大家的表現也都比先前出色。

6,22

Hanon No.13

改指法

分析反向進出

分手單雙

和手單雙

Bartok 小宇宙 No.37

背熟

4,24

Bb-Major prelude:

make sure the 'running parts' are even both in sound, length, and tone. Change tempo at second part-slower. Create two different atmospheres imitate conversation between two people.

c#-minor prelude:

stretch beat 5 for first melody, and stretch beat 3 to voice the harmony at beat 4. Tempo increase to 84.

4,23

Bb-Major prelude:

memorized.

4,21

c-minor prelude:

play 5 times in playing speed, count and keep control (especially LH). Make sure every note get equal weight when slow practice. Insert a break before presto.

c-minor fugue:

slow practice 2nd page.

c#-minor prelude:

increase tempo to 72.

G-Major prelude:

count, keep control.